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Showing posts with label Pirates. Show all posts
Showing posts with label Pirates. Show all posts

I would like to thank Heidi Schulz for once more giving me the opportunity to use my "pirates" tag on this blog.

The Pirate Code is the second book to feature young Jocelyn Hook, daughter of the famous Captain James Hook. As with the first book, Schulz continues to delight readers with not only a fantastic story, but lots of humor, and a view of the Neverland that is quite different to our childhood imaginings.

Official blurb:
Fresh off a fearsome encounter with the Neverland crocodile, Jocelyn Hook decides the most practical plan is to hunt down her father's famous fortune. After all, she'll need the gold to fund her adventuring in the future. (And luckily, Hook left her the map.)
But the map proves to be a bit harder to crack than Jocelyn had hoped, and she's convinced that the horrible Peter Pan might be the only one with the answers. Of course, he doesn't really feel like helping her, so Jocelyn takes the only reasonable course of action left to her: she kidnaps his mother. Evie, though, is absolutely thrilled to be taken prisoner, so Jocelyn's daring ploy doesn't have quite the effect she'd planned for.
Along with the problem of her all-too-willing captive, Jocelyn must also contend with Captain Krueger, whose general policy is that no deed is too dastardly when it comes to stealing Hook's treasure. And with the ever-shifting Whens of the Neverland working against her as well, Jocelyn, Evie, Roger, and the rest of the Hook's Revenge crew have their work cut out for them.
In this rambunctious showdown between characters new and old, Jocelyn puts her own brand of pirating to the test in a quest to save her future and those she loves.

My thoughts in a few words: Funny and clever, unpredictable, beautifully imaginative.

Funny and clever.
The grumpy pirate narrator returns (never letting us forget that he really can't stand children and we are being quite a bother to him) and tells the story, interrupting every once in a while for a well-timed aside that's sure to make you smile.


While there are serious elements to the plot and character development as Jocelyn must overcome complications and re-evaluate how she views her friendships, there is a general lightheartedness about the book that makes it very easy to read and balances the serious bits very well.

Unpredictable
I really appreciate that despite this being a novel aimed at younger readers, Schulz doesn't go the route of creating the invincible protagonist--Jocelyn is, in the end, still a child and of course cannot single-handedly defeat adult pirates. Because of that, she must come up with alternative ways of overcoming her enemies. There are plenty of twists, unexpected defeats, and even the plot's resolution might come as a surprise to many readers.

Illustrations by John Hendrix
Beautifully imaginative.
There were a few scenes in the book that really stuck with me and which I thought were really brilliant. One is the forest that is fed by things children have left behind. What a fantastic concept. I love the concept of a tree that survives on a child's abandoned belief in magic, or fear of toads, or other things children at some point give up as they grow.

The other image I loved was the Jolly Roger sitting atop a mountain. I love abandoned things, so the idea of a lonely ship that once was a terror of Neverland's seas sitting on a mountain covered in snow was very evocative.

Definitely recommended for all ages of folk who like a rollicking adventure.

For more about Heidi Schulz, visit her piratey website. To buy The Pirate Code from your local independent bookstore, visit IndieBound.

I love pirate books. So when I got this book from my husband for Valentine's Day I was quite excited to read it. I knew it wasn't *exactly* a pirate book, but was hoping it would have a bit of pirate-like adventure and a lot of Daniel Handler's fantastic sense of humor. Unfortunately, it really didn't have either.

I realize that books written as Daniel Handler are not meant to be for the same audience as when he writes as Lemony Snicket, however, even taking that into consideration I really disliked this book and every character in it.

We Are Pirates is really two parallel stories. One is about Gwen, a teenager who wants to be in control of her own life; the other is about her father, a radio producer whose career has stagnated. Although the stories overlap, they don't really show any cohesive intertwining. One could easily cut out either story without the other changing at all. I think this disconnectedness doesn't help the book.

The plot of Gwen's story is that she decides, along with Errol, an old man who has Alzheimer's and a love of pirate stories, to run away from home, commandeer a ship and sail out into San Francisco Bay. To prove her dedication to her new pirate cause, she plans to attack other ships and take their supplies. She pulls a few other people into her plot and carries it out in a surprisingly bloody fashion, starting with the violent murder of two people.

Phil's story is basically circling around how much his career has stagnated, how he continues to screw up everything, and his very cringe-worthy relationship with his secretary--who he might want to sleep with.

There is a very strongly developed theme of powerlessness throughout the book. All the main characters (in fact, the secondary characters as well) are powerless in different ways--Gwen because she is a teenager and has no independence from her parents, Errol because he has lost his memory and cannot take care of himself, Phil because he doesn't understand why his career has gone downhill, and thus cannot fix it. Each character tries to take control of his or her situation in different  ways, but ultimately they screw things up even more. Of all the aspects of this book, this is the one I appreciate; it was well fleshed out and each person's struggle felt very real.

However, there was still no redemption or hope. I think if Handler had taken a different direction and actually had given the characters some success, or at least a moment of realization that there might be a different way to take control, it would have had some redeeming value. Stories do not have to have happy endings, but they should at least have some redeeming value to them. We Are Pirates was depressing throughout and ended on an even lower note. Gwen and her accomplices get away with murder, theft, and destruction (for which the most vulnerable of their group is blamed) and then life goes back to its mediocre hopelessness.

Beyond plot, I also have complaints about the writing itself. The narrator throughout the book is extremely unclear. There is some severe head hopping that is very disorienting to the reader. Sometimes this can be used as a technique to jar the reader into paying closer attention or to involve the reader in the chaos of a scene, but in this case it was merely annoying and made the story more difficult to follow. Another tactic that felt very gimmicky was that many times throughout the book the narrator refers to the story as if it were in the distant past, using phrases such as,"during this era of American history," and "at the time this story takes place." Yet, at the beginning of the book it seems the story is being told only a few weeks after the events happened.

While We Are Pirates wouldn't put me off reading Handler books in the future, I absolutely wouldn't recommend spending time reading this one unless you like selfish characters whose lives are on a downward spiral.

I love pirate stories (as I’ve mentioned before). That is the main reason I added On Stranger Tides by Tim Powers to my reading list. I knew nothing about him, and nothing about the book other than that it was a tale of pirates, magic, and the fountain of youth. Oh, and that it was the inspiration for the Pirates of the Caribbean movie titled, unsurprisingly, On Stranger Tides. Now that I’ve read it, I can’t really see too much resemblance between the two.

As a somewhat unrelated note, I just learned that Daniel Handler has come out with a book on pirates just this week. Though it doesn't seem like a traditional pirate book (it's set in the present day, for one thing) We Are Pirates is already on my to-read list. I am also going to see Daniel Handler, along with Neil Gaiman, in just a couple weeks at the Brooklyn Academy of Music and I suspect the new book is part of the reason that a sword fight is on the schedule. I'm happy to be living so close to Brooklyn (and thus BAM) where Neil Gaiman seems to be making a habit of appearing (and my husband and I seem to make a habit of seeing him appear).

Now on to the book.

Blackbeard (Edward Teach)
Let's face it, this isn't his scariest pose.
On Stranger Tides had pretty much everything you could want in a pirate story. Fighting, betrayal, good men turned to piracy, voodoo, obsession, zombies, love, and history's most evil pirate. No marooning happened, but I can live with that.
The book follows Jack Shandy as he is unwillingly pulled into joining a band of pirates and sucked into a world of voodoo he never knew existed. His sole purpose becomes saving Beth Hurwood from her obsessive father Benjamin Hurwood who, along with his assistant Leo Friend is on a quest for the Fountain of Youth for some inscrutable but deadly serious purpose. As the book goes on we find Blackbeard and Hurwood are in cahoots. Both men are on a path to extreme power, and both seem to be evil personified.

What I loved about this book
Powers does creepy most excellently. This book had one of the creepiest scenes I’ve read in a long time—the trip through the Florida swamps to the Fountain of Youth. Fungus-like plants line the way and, the deeper the group (led by Blackbeard's undead boatman) gets into the swamp, the more the plants begin taking on the features of dead faces. Eventually they begin whispering and spouting out evil spirits which attach themselves more or less permanently to anyone they can get close to. The scene builds with more layers of creepiness as the group endures everything from being attacked by an evil presence seen only as shadows, to reliving the memories that most shaped who they are, to nearly becoming part of the swamp as they are turned into plants themselves and begin to take root.

I also love that [spoiler alert] Hurwood carries his wife’s head in a box throughout the entire book, hoping eventually to resurrect her. So creepy. 

Powers creates a world of pirates that is closely linked to magic. While voodoo and piracy aren't a new pairing, I really did feel that he had a different take on it as he made vodun something that even crewmembers can casually use. The parallel of magic fading from the world along with the golden age of piracy coming to an end created a nostalgic air that I really appreciated.

What I didn't like about this book:
The scenes were a bit heavy handed at times, such as the Oedipis complex of Hurwood’s sometime sidekick Leo Friend. It was hinted at first, but then Powers really piled it on and I felt a little insulted as the reader. However, the book doesn’t pretend to be high literature and it’s not too difficult to move past that the occasional heavy handedness. 

Bartholomew Roberts' flag
This is one of my favorites because of how petty it is
He *really* hates Barbadians and Martiniquians
I missed good (and consistent) character development in this book. Shandy, despite being our protagonist, was not terribly easy to identify with and I am not really sure I even like him. His motivations for his actions were very one-dimensional and his personality seemed to change several times throughout the book. Beth also was a rather weak character, limply moved along by the plot and only once showing any initiative or personality of her own when she tried to recruit a pirate to help her escape. 
Despite opening the book with him, I felt Hurwood's backstory and motivation was the least developed of the main characters (excluding Beth). I would have loved to learn more about him as his quest was the one that moved the plot along. It seemed there could have been a whole book on his backstory (I would read that book).

I can easily get past my first two points since the plot moves the story along very well and keeps things interesting, however the main negative point that stuck out to me was that "Book Three" seemed as if it were written at a completely different time than the rest of the book. Maybe Powers wrote it first, or maybe he put the novel down for a long time before writing the last part ... I have no idea, but it felt very disjointed. The style was different, perspective shifted, and even some people’s personalities seemed to change. Strange details were included that were unnecessary as well; for example, including Israel Hands, while perhaps a nod to history, was a weird digression and didn’t fit the character of Blackbeard that had been built up in the rest of the book.


All in all I did actually quite enjoy this book and *would* recommend it, despite some cheesiness and strange character development choices. It's not high literature, but it is great fun.

...And unmoor'd souls may drift on stranger tides
Than those men know of, and be overthrown
By winds that would not even stir a hair...

The Monkey Island games:  an exemplary series featuring pirate shenanigans of all sorts, not to mention demonic talking skulls, voodoo ladies, and ships of the damned - as any respectable pirate tale ought.
I was so pleased to be able to read an advanced reader copy of Hook's Revenge which will be out in stores on September 16 this year (just in time for International Talk Like a Pirate Day on the 19th). I love adventure books – ever since reading books like King Solomon’s Mines, The Lost World and The Twenty One Balloons as a younger person I’ve had a desire to go off and discover mysterious lands and strange people (off to Zanzibar, to meet the Zanzibarbarians!).

I also love pirate stories. Treasure Island is one of my favorite books of all time. There really aren’t enough quality pirate books out there (though there are some excellent pirate computer games), so finding a fun, adventurous book which was also about pirates really made my day (thanks husband!)

 Anyway, on to the book. Hook’s Revenge follows the adventures of young Jocelyn Hook – daughter of the infamous Captain Hook (who she has never met). Jocelyn takes after her pirate father in that she causes chaos and destruction wherever she goes, despite being only twelve. In an attempt by her grandfather to civilize her, she is sent away to finishing school where Miss Eliza Crumb-Biddlecomb does all she can to whip her into shape. This goes as one might expect, with frustration and disastrous results for all. That is until Jocelyn is whisked off to Neverland after receiving a message from her recently dead father (composed before his death, of course. This isn’t that sort of book) setting her the task of taking revenge on the Neverland crocodile in whose jaws he met his demise.

I won’t spoil the plot, but it’s a great adventure with some very likable and some very dislikable characters all very well brought to life. The fact that Jocelyn does have moments where she fails or doesn't know what to do next makes her solid and someone you truly want to root for.

The storytelling moves at a good pace with lots of action and just the right amount of humor - perfect for both middle grade and older audiences alike. The narrator is one of the highlights of the book. He (?) is a rather cranky pirate who dislikes children and is only begrudgingly telling us the story because he’s getting older and the story ought to be told to someone. He isn’t ever-present, but he pops back in at regular intervals to remind us that we really are very annoying.

My only dislike of this book was the representation of Peter Pan, strangely enough. He is a very minor character, but he SO annoying. I would much have preferred that he not appear at all rather than have him be represented as a little dictator and such an ass. It is certainly a new take on a classic character, but I think it kind of ruins him for readers who might potentially go on to read Peter Pan for the first time. Of course, Peter was never completely likeable, even in his own book (“Oh the cleverness of me!”) but then again he was an archetype of boyhood, so who can blame him?

I also would have liked to have found that the hateful little girls at the finishing school eventually got their comeuppance, but perhaps that's something for the next book.

Altogether, I thoroughly enjoyed Hook's Revenge, but reading an advanced copy comes with the downside that I’ll have to wait even longer than everyone else for the second in the series.

For more about Heidi Schulz visit her piratey website. To pre-order Hook's Revenge visit Barnes and Noble, or order it to your local independent book store.

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